Best german war movies on netflix

best german war movies on netflix

War movies are often not delightful to watch, especially on the Sunday evening of Netflix and chill. Romance, comedy, and science fictions serve the purpose better. But for the gripping action sequences on the battleground and the gritty raw experiences soldiers go through in the unforgiving terrain of hostile countries – one must watch movies of the War genre. Being able to both captivate and inspire the viewers at the same time, these movies contain a huge amount of entertainment value, especially if you know which one in particular to watch. Well, the whole process just become trouble-free, .

best german war movies on netflix

The African Queen (1951) One of the most classic war films of all time, The African Queen sees Humphrey Bogart and Katharine Hepburn as a pair escaping German-occupied East Africa amidst the breakout of World War I.

When missionary Rose Sayer's (Hepburn) brother is murdered, she seeks escape and revenge the only way she can: by convincing a river boat captain (Bogart) to take her aboard his small but mighty African Queen and head into battle. If you can believe it, Bogart won his only Oscar for this film, and it’s deemed an important historical cinematic piece, so you may as well watch it now if you have yet to.

Atonement (2007) This sweeping romantic epic, based on the Ian McEwan novel of the same name (which is worth a read, though we're afraid you won't find the book on Netflix), sends Robbie (James McAvoy) off to fight in World War II, and he finds himself in the middle of Britain's retreat from the Germans on the shores of Dunkirk Beach.

Director Joe Wright pulled off a tragically beautiful of the whole ordeal that'll break your heart if Robbie's separation from his love Cecilia (Keira Knightley) didn't already. Beasts of No Nation (2015) True Detective Season 1 director Cary Fukunaga's wartime drama is not a movie you put on in the background. Adapted from Uzodinma Iweala's novel of the same name, this visceral character study tracks a preadolescent Agu (Abraham Attah) after he's recruited to be a child soldier in an African civil war (its specifics are left purposely ambiguous).

Lorded over by a gruff commander (Idris Elba), the movie is loud, tender, and violent -- a coming-of-age story in which the characters may not live to come of age. Cold Mountain (2003) In Anthony Minghella’s adaptation of Charles Frazier’s Civil War-era novel, Jude Law plays Inman, a wounded soldier determined to return home to Cold Mountain, North Carolina, to his sweetheart (Nicole Kidman) as the war comes to an end.

The film is never shy to illustrate the horrors of war and poignantly looks at not only the pain of being sent to battle, but the distance of being away from loved ones for so long. It’s a grand hero’s journey home, and a very romantic one at that. Defiance (2008) Though most war films are inspired by historical events -- positioning itself at a certain point in time or focusing on a specific battle -- the stories based on real individuals can feel all the more dramatic.

Frequent war film director Edward Zwick’s Defiance brings to life the Bielski brothers, a group of Belarusian Jews who led thousands of Jewish refugees through the German-occupied Naliboki Forest to safety from Nazi persecution. Like most World War II survival stories, the film is extremely grave in its brutal depiction of living off the land in a war zone, though their unwavering determination will leave you breathless.

First They Killed My Father (2017) Angelina Jolie is a full-on humanitarian filmmaker these days. Not her first foray in directing a war movie, First They Killed My Father is maybe the most intense; it's based off a memoir of the same name written by Loung Ung, a friend of Jolie's who lived through the Khmer Rouge's brutal rule of Cambodia from 1975 until her escape from the country in 1980. It's a sad, empathetic story of the atrocities following the Cambodian Civil War that hardly gets enough attention in the West.

The Look of Silence (2015) Joshua Oppenheimer is responsible for two of the most essential documentaries of the decade, each grappling with the consequences of Indonesian genocide still rippling 50 years after the fact. The Look of Silence is the follow-up to The Act of Killing, where Oppenheimer gave the men who formerly ran death squads resources to produce a Hollywood-style dramatization of their crimes.

The Look of Silence is from the perspective of the aching victims: a man confronts the people responsible for murdering his brother and thousands of others. Though chronological viewing of the two films isn't required, it does make The Look of Silence an enhanced version of an already powerful experience. Pearl Harbor (2001) The Japanese attack on Pearl Harbor that wrangled the U.S. into World War II is an epic, though devastating setting for Michael Bay’s 2001 period piece.

The film follows a love triangle between two lifelong friends and soldiers, played by Ben Affleck and Josh Hartnett, and then-newcomer Kate Beckinsale as the men are sent to battle, and eventually endure the surprise attacks. The film has been called an homage to classic war films in part because of its dramatic, impending battle sequences as Japanese fighter pilots interrupt a quiet morning in Hawaii, and also because it's more of a love story than a historical account.

Schindler's List (1993) It's time to get around to the insanely classic WWII movie you know you're supposed to have seen but haven't watched yet. Liam Neeson's friendly-with-Nazis Oskar Schindler takes in Polish Jews fleeing Nazi capture to keep his enamel factory afloat, but when he witnesses the genocidal massacre in the Krakow Ghetto, he finds his empathy, ditches his business interests, and dedicates his time to saving as many people as he can. Steven Spielberg directs and John Williams scores this depressing black-and-white Best Picture Academy Award winner.

The Siege of Jadotville (2016) Do not look to this Netflix original movie for a compelling examination of the Irish military's 1961 efforts to hold strong against an incursion from the recently seceded State of Katanga.

The Congolese war conflict is well-documented in historical tomes. But do look to cut from the classic man-on-a-mission cloth. Fifty Shades of Grey and The Fall star Jamie Dornan is a regular Gary Cooper as the leader of this unprepared crew, and his work in the heat of battle is astonishing. Tinker Tailor Soldier Spy (2011) If a season of 24 took place in the smoky, well-tailored underground of British intelligence circa 1973, it might look a little like this precision-made John le Carré adaptation from Let the Right One In director Tomas Alfredson.

Even if you can't follow terse and tightly-woven mystery, the search for Soviet mole led by retired operative George Smiley (Gary Oldman), the ice-cold frames and stellar cast will suck you into the intrigue. It's very possible Oldman, Colin Firth, Tom Hardy, John Hurt, Toby Jones, Mark Strong, and Benedict Cumberbatch are reading pages of the British phone book, but egad, it's absorbing.

A movie that rewards your full concentration. Troy (2004) Troy is a movie of bold haircuts -- long-haired Brad Pitt! shaggy haired Eric Bana! mulleted Sean Bean! Orlando Bloom with ringlets! -- but also one of amazing costumes having been nominated for an Oscar in 2004. Not just an action film of frivolity, it tells the story of the mythical war between Sparta and Troy from The Iliad adapted by David Benioff -- a fitting early script for the future Game of Thrones co-creator.

It's the most mid-aughts version of the Greek epic; in other words, it's the best one. A War (2015) Game of Thrones actor Pilou Asbæk stars as the commander of a Danish military company touring Afghanistan who comes under fire after calling for an air raid without following protocol. His moral decisions are dubious and his legal strife devolves into shady business.

Tobias Lindholm's film depicts the ripple effect of war on both the psyche and macro-actions of troops in the trenches. This movie easily nabbed a nomination for Best Foreign Language Film back in 2016.

War Machine (2017) Not every war film has to be a depressing tale. War Machine, for one, is a satirical look at power-hungry personalities in the military and politics. In the Netflix original, Brad Pitt stars as overly proud general Glen McMahon tasked with "cleaning up" the situation in Afghanistan -- despite working with a team of uninterested, exhausted soldiers and politicians who just want to get the hell out of there.

As unfunny the endless war in Afghanistan is, coming from the producers of The Big Short, War Machine does a snarky job of illustrating the ridiculousness of the eight-year-long war.


best german war movies on netflix

best german war movies on netflix - 11 Fabulous German Movies on Netflix to Improve Your Deutsch


best german war movies on netflix

Mexico appears to be the cinematic star of the hour. Filmmakers from the country have been picking up the world's top film awards, whether the Oscars (Guillermo del Toro with The Shape of Water) or the Golden Lion in Venice (Alfonso Cuaron's Roma).

Mexican cinema is also highlighted at the Cannes film festival through its partnership with the Morelia International Film Festival. Streaming providers like Netflix recognize this, seeing the potential of the large Mexican viewing public. Mexican culture is at the heart of Netflix's first Mexican reality series, Made in Mexico, and is the backdrop to one of the streaming provider's most successful series, Narcos, which continues in the fall.

Roma at the heart of a great debate A Mexican film is also at the center of a major debate that could have far-reaching consequences for the global cinema market. Roma, the Mexican film by Alfonso Cuarón that won the Golden Lion in Venice, is a Netflix production. Unlike Cannes, Venice had decided to allow movies produced by streaming platforms to enter the competition.

Now Netflix wants to broadcast Roma on their own platform soon after it has made the festival rounds. Discussions are underway for at least a few cinema showings in selected theaters before Netflix begins streaming the film, a move that has angered Germany's cinema operators. Christian Bräuer, who owns cinemas in Berlin and Dresden and is CEO of AG Kino, which represents 300 arthouse and repertory theater owners in Germany, spoke with DW in an interview about the dispute.

Alfonso Cuarón during filming of Roma DW: Will you be boycotting Netflix productions when they arrive in theaters? Christian Bräuer: I wouldn't use the word boycott. But the fact is: Netflix has not yet presented a cinematic evaluation model.

The question is not if we are boycotting that. Netflix tried to offer Roma to cinemas, but only to a few particular houses. And not in the customary way: with an exclusive initial release. They offered only one week, not the usual four months. Also, cinemas would not have been able to publish any numbers, which is a sign of transparency. Those are not conditions under which cinema houses can efficiently operate.

And that's why they won't be showing the films. Do you see a tried-and-true system under threat? One in which films are first shown in theaters, then made available on DVD and streaming, followed by television broadcast – and each of these steps taken with a particular amount of time in between?

Exactly. Netflix is entering the realm of the "First Screening," the window which is traditionally held by movie theaters. Why does Netflix buy exclusive rights to movies? To have an advantage. Cinemas need this exclusivity as well. Cinemas are expensive places to run, in the maintenance of the buildings, the program design. I expect from big US studios and German producers that they allow for four months. In cutting that time, Netflix is attacking the business model.

This attack is sold under the guise of disruption: Everything is changing. ... In reality, it is a tough means of asserting the primacy of your own business model to the destruction of others. Dr. Christian Bräuer, cinema operator and CEO of AG Kino … something Netflix can profit from. If we allow it to happen, it would not only flatten the cinema model, but all the other elements of the industry would be bulldozed as well. Film distributors are worried; producers must be concerned, too. Those who do not manage to be part of the larger platforms would simply not exist anymore.

If Netflix has films that are suitable for the cinema, we would be happy to see a real theatrical release. That would be a win-win situation.

Netflix, like other film producers, would receive a share of ticket prices. Are two trains headed toward each other on the same track? One can hardly imagine that Netflix would offer to take a seat at the table.

Is Netflix interested at all in European arthouse cinema operators? At the conclusion of the recent Arthouse Film Fair in Leipzig (Ed. Note: a gathering for cinema operators from around Germany), the analogy between David and Goliath was made. The "Goliath," Netflix, is simply too large to ignore. But "David," by which we mean arthouse theaters, is not to be beat. We have enough other films. It is not as if there are only films being produced by Netflix on the market.

In Europe last year, we had over 2000 films. Our job is to sniff out the best movies, something like a truffle hunter might do, and bring them to theaters. Through that understanding, there is a stance of great self-awareness. We shouldn't speak too much about Netflix, but rather focus on the movies that we are bringing to theaters. Let's campaign for them with audiences. Is it also perhaps true that everyone is looking at Netflix itself and not necessarily what they are putting out?

When the movie Roma won in Venice and many newspapers did not report the title of the movie, rather wrote something to the effect of "Netflix won," that is of course a challenge. When the Hamburg Film Festival (Ed.

Note: September 27-October 6, 2018) writes that they have three Netflix productions but does not say which films they are, then the independent film industry in Europe, the producers, rental agencies, cinema operators, have to say something. Films and series made for home viewing, on small screens Roma also begs the question of what makes for a theatrical film.

… The question is always: what is cinema? Of course, Roma is a movie that belongs on the big screen. But dare I say that the film disappointed on the small screen? I also dare say that nobody in Germany will subscribe to Netflix just to see Roma. But for Netflix, the Golden Lion is a gigantic marketing success that has paid off. Netflix is welcome as a true market player, but it also has to abide by the rules of the game.

Or Netflix should not appear on the big screen; a Netflix movie is thus no longer a movie. From that moment, when it's disappeared from Venice and only viewable on a small screen, then it becomes a television movie. At the heart of the debate is the presence of Netflix at festivals.

Cannes will not show any Netflix films, Venice, however, will. What stance should the Berlinale take? You will appeal to Dieter Kosslick and his successors and to Commissioner for Culture and the Media Monika Grütters not to take the same path as Venice.

Exactly, that is a very strong appeal from our end. The Berlinale is a tax-financed film festival, not a private one! We produce so many movies in Germany and Europe and around the world. Such a festival, at least in the competition section, is a competition for the best films that should be freely accessible afterwards. It would be no problem to show Netflix movies on the sidelines or on the movie market.

The cinema as an experience: Will Netflix threaten its existence? It's also about freedom for distribution channels. You can watch the movie in the cinema or later buy a Blu-ray disk or watch it on a streaming platform or on television; all of these options are closed off. That's why you have to defend this. If the Netflixes of this world want a greater share, then they should create their own festivals. Are festivals or movie theaters threatened by this?

The concern is of course, if in the future a Berlinale competition with five films by Netflix were to take place, but these films are only for viewing on the small screen, that would dilute the Berlinale brand and even the festival brand. In the short term, we hear: "We are daring to do something new," but the question is: do I see myself as part of a film culture that also wants to make films available to a broader audience, where cinema is a place of shared storytelling?

We all love stories, no matter if we see them or hear them, whether streamed or on television. But the shared story-seeing, with friends and with strangers, that is the experience at movie theaters. That is cinema!


best german war movies on netflix

War Movies on Netflix attracts a large portion of the film-loving audience in this platform. Actions, adventurous, patriotism and inspirational soldiers life are some attributes of war movies that attracts a large number of film lovers. War scene and exhibition of war machinery like missiles, fighter plane, bulky tanks are thrilling to watch, and people experience these actions without being part of that war.

Don’t you love war scene? No worries! Check out and enjoy your holiday. There are hundreds of war movies on Netflix available for stream, and these are the ten most streamed and best war movies available on Netflix: 10 Best War Movies on Netflix • Black Hawk Down (2001) © www.imdb.com It is the British-American movie adapted from a book “Black Hawk Down”, which was based in a series of articles issued in The Philadelphia Inquirer released in 2001.

It was one of the best grossing movies of that time, it was released widely on the Martin Luther King holiday weekend, and only Titanic had grossed more previously. • We Were Soldiers (2002) © www.imdb.com ‘We were Soldiers’ was next to hit the theater after Black Hawk Down in 2002. It was based on the Battle of La Drang of 1965. Although it is not an accurate portrayal of the historical battle, it received mostly positive reviews.

Most people praised the truthful and realistic battle scene of this movie. • The Longest Day (1962) © www.imdb.com It is the epic war movie released in 1962, and was based on Cornelius’s book “The Longest Day”. It was made in black and white featuring a large group of the cast. It was the most expensive black and white movie till that date. The movie includes most of the important events around D-Day, from starting of British glider missions to securing of Pegasus Bridge. • A War (2015) © www.imdb.com A war is a Danish war movie dramatized over the story of Danish military fighting against Taliban to protect the civilian, and how a commander is suspected having stanch to a war crime.

After the war, the chief is sent back to home, but later he was accused of killing 11 people in the airstrike. • Wings (1927) © www.imdb.com Wings is the American silent movie which was set during the first world war. It was the first movie to awarded as Best Pictures in Academy Award. When it was widely released in 1927, it was a big success, creating a landmark in aviation movie.

It also revolves around the love triangle of Clara, Charles, and Richard. Most of the cast in this movie served in the world war as the military. • Tora! Tora! Tora! (1970) © www.imdb.com Tora!

Tora! Tora! is a Japanese-American historical movie released in 1970 that is based on an attack on Pearl Harbor in 1941. It dramatizes continuing diplomatic tension between America and Japan around 1941. The film was not cast with any box office star, with a motto to an emphasis on the story rather than creating a buzz with actors who were in it. It was thought to be a bigger flop in America initially, but after its release, it was loved by a portion of the audience, and in Japan, it was a major hit over the years.

• Boys of Abu Ghraib (2014) © www.imdb.com Boys of Abu Ghraib is one of the latest good movies to hit the big screen. Released in 2014, it was based on the event that took place in Abu Ghraib Jail in 2004. Although some critics blamed the movie for not being the exact portray of the inspired event, it was praised for its fictionalizes of the event and appreciated the story. The reviews from the audience were also very positive. • The Way Back (2010) © www.imdb.com The Way Back is a survival drama film of 2010 directed and screenplay by one of the finest in this business Peter Weir.

The movie is inspired by the book “The Long Walk”, the historical account by Polish prisoner Slawomir Rawicz, who survive his way walking 4000 miles to escape from Soviet Gulag for freedom in World War II. It received positive reviews from most of the critics.

• Inglourious Basterds (2009) © www.imdb.com Inglorious Basterds is a German-American war film starring Brad Pitt, Christoph and Melanie Laurent released in 2009. The film narrates the story of two plots to assassinate Nazi German’s politics, 1st one set up by Shosanna Dreyfus, a young French Jewish, and 2nd one established by a team of Jewish-American army guided by Aldo Raine.

The Film was commercially successful and was Tarantino’s highest grossing movie at that time. • The Great Escape (1963) © www.imdb.com The Great Escape is an American war movie released in 1963. It is based on survival of British Commonwealth prisoners from a German POW camp during world war II. It is a depiction of a book “The Great Escape” by Paul Brickhill, non-fiction portrays of the mass escape from Nazi Germany. It was one of the best grossing movies of that time despite heavy competition.

We know we’ve missed so many other good Netflix movies. Which of your best war movie missed here? Comment below, we will add on next update. Meanwhile, check list and enjoy best of Netflix series. Filed Under: , Copyright © 2018 · InterNetFlix is not associated, affiliated with or endorsed and moderated by Netflix™ Inc in any way. We are Netflix™ unofficial fan site providing Netflix™ news, movies, and releases around the globe. We DO NOT represent Netflix™ by any means.

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