Pine's beefy frat-boy Kirk is an exaggeration of Shatner's Kirk. Sincerely what an utterly shameful and wasted opportunity all this hokum was. Since it has now become dilithium crystal clear that J. . Star Trek - Into the Darkness is mainly a fast paced action film interspersed with scenes of human interest which facilitates the deeper development of the main characters and their inter-relationships. The other familiar crew members each get a brief moment in the spotlight but for the most part they fixate on comedic asides. Story: When the crew of the Enterprise is called back home, they find an unstoppable force of terror from within their own organization has detonated the fleet and everything it stands for, leaving our world in a state of crisis.
I left the theater thinking that my free passes were over-priced. These guys obviously don't know what the hell they are doing when it comes to writing Star Trek movies. As a Trek fan, I was bitterly disappointed here: the filmmakers might well have just re-shot Nicholas Meyer's film entirely. My advice - Go, Watch - and be thrilled by a brilliant film. Habt vielen Dank fürs bereitstellen! If he wants to make flashy sci-fi movies with no depth or substance, fine, there are plenty of scripts out there for him to make this kind of bland movie that attracts dimwitted people. And let's not forget the supposed personal anguish felt by Kirk, of which Harrison had been its mastermind.
Released Date: 16 May 2013. It will have many people sitting on the edge of their seats, willing those embroiled in battle to succeed. This movie is proof that he still doesn't get it. For instance, a transporter that the enemy uses can transport him light years to another planet, but the transporters on the Enterprise have a hard job locking onto a person on the planet they are orbiting, a hand-held communicator that can call someone in a bar on Earth from the Klingon home world light years away, infiltrating a top secret military base with a shuttle craft without being spotted by sensors, and the list goes on. With its target audience seated in place however, doubtlessly willing to overlook the obvious whilst simultaneously blinded by the startling visuals and 'tacked-on' 3-D the film wasn't originally shot in 3-D, instead the process being added in post-production this 'casual' viewer can safely check their brain at the door and, in all likelihood, enjoy.
Which brings me to my next point. When the crew of the Enterprise is called back home, they find an unstoppable force of terror from within their own organization has detonated the fleet and everything it stands for, leaving our world in a state of crisis. What has always distinguished Star Trek from other sci-fi is the thoughtful and nuanced way that philosophical and sociological commentary was woven into the stories. Kirk but also matures Chris Pine as the film progresses. We do not host any files on our server, all files are hosted on the Internet. The second half attempts to remake The Wrath of Khan but is backwards and upside down. When Cumberbatch is captured, he and Pine briefly become caricatures of Hannibal Lecter and Agent Starling from Silence of the Lambs.
Despite a promising start however, having chased Harrison to his conspicuous Klingon hideout, Kirk is somehow 'manipulated' into seeking the terrorist's help; an inconceivable decision given the character's explosive introduction - which also ignores the obvious danger he poses. In the past, Star Trek has been intelligent and character driven. Even the villain stunningly portrayed by Benedict Cumberpatch warrants a certain amount of sympathy from all fair minded people. And after having slept on it, I was finally able to articulate the next day. And that, in my opinion, is not what Star Trek is about.
Even if it means starting a war with the Klingons, our risk-taking Captain gets the green light from Admiral Marcus Peter Weller to warp the Enterprise over to Kronos, armed with some secret missiles and an undercover mission imperative. Abrams Cast: Zoe Saldana, Anton Yelchin, Chris Pine, Simon Pegg, John Cho, Alice Eve, Karl Urban, Zachary Quinto, Benicio Del Toro Total Video Title Codec Length Movie Size Disc Size Bitrate Bitrate Main Audio Track Secondary Audio Track —— —— ——- ————— ————— ——- ——- —————— ——————— 00800. The phrase 'bonding under fire seems appropriate. Abrams Writers: Roberto Orci, Alex Kurtzman Stars: Chris Pine, Zachary Quinto, Zoe Saldana Storyline: After the crew of the Enterprise find an unstoppable force of terror from within their own organization, Captain Kirk leads a manhunt to a war-zone world to capture a one-man weapon of mass destruction. We will go and see it again!! He then escapes to the Klingon homeworld to hide out, and will presumably resume his mysterious rampage against the Federation later. As our heroes are propelled into an epic chess game of life and death, love will be challenged, friendships will be torn apart, and sacrifices must be made for the only family Kirk has left: his crew. I use the term 'contrived' given that, not unlike the life-restoring 'Genesis Planet' seen in Trek's The Search for Spock 1984 , the answer to Kirk's mortal dilemma was really only a hypo-spray away.
I am not going to reveal specific details because this film is so new that I am aware that many people still have not had the opportunity to watch it, and I do not wish to ruin their experience. With a personal score to settle, Captain Kirk leads a manhunt to a war-zone world to capture a one-man weapon of mass destruction. When the crew of the Enterprise is called back home, they find an unstoppable force of terror from within their own organization has detonated the fleet and everything it stands for, leaving our world in a state of crisis. A little unethical if you ask me. Abram's Star Trek is an action-for-action's sake Kirk and Spock buddy flick. Film Stars: Chris Pine, Zachary Quinto, Zoe Saldana.
The film's plot presents a saturnine, black-overcoated menace named John Harrison played woodenly by Benedict Cumberpatch , who starts blowing up buildings in London, then shooting at a roomful of Starfleet's top brass during a staff meeting. Over-shadowed by the film's ample and certainly showy special effects, these characters seemed stunted and confined instead of simply being allowed to develop properly. With a personal score to settle, Captain Kirk leads a manhunt to a war-zone world to capture a one man weapon of mass destruction. The first half begins with a scene taken from Raiders of the Lost Ark and quickly moves to The Return of the King's Mount Doom. With a personal score to settle, Captain Kirk leads a manhunt to a war-zone world to capture a one-man weapon of mass destruction.