Pepper's autobiography Straight Life written with his wife is a brutally honest book that details his sometimes horrifying life. It's mostly jazz and blues, but from time to time I post other genres too. Bekken and I wanted to share it. Art Pepper began his serious comeback in 1975 and the unthinkable happened. His recordings for Contemporary and Galaxy rank with the greatest work of his career. . Here I am, starting over, posting my uploads.
After a brief stint with Gus Arnheim, Pepper played with mostly black groups on Central Avenue in Los Angeles. Recorded at Capitol Studios, Los Angeles on August 1956. He spent a little time in the Benny Carter and Stan Kenton orchestras before serving time in the military 1944-1946. Or if you are looking for a specific album, maybe I have it. Now they have another album, I've posted it separately, later much later.
He recorded with Buddy Rich in 1968 before getting seriously ill and rehabilitating at Synanon 1969-1971. The 1950s found the altoist recording frequently both as a leader and a sideman, resulting in at least two classics Plays Modern Jazz Classics and Meets the Rhythm Section , but he also spent two periods in jail due to drug offenses during 1953-1956. Under the guidance and inspiration of his wife Laurie, Pepper not only recovered his former form but topped himself with intense solos that were quite unique; he also enjoyed occasionally playing clarinet. I don't often upload lossy music, but I've never found anything lossless with Dr. Pepper was in top form during his Contemporary recordings of 1957-1960, but the first half of his career ended abruptly with long prison sentences that dominated the 1960s. Some of Pepper's happiest days were during his years with Stan Kenton 1947-1952 , although he became a heroin addict in that period.
Of course, Pepper would continue to have drug problems, but this music definitively proves his genius and creative hunger; it represents one of his most dynamic periods presaging the killer albums he cut for Contemporary over the following three years. His occasional gigs between jail terms found him adopting a harder tone influenced by John Coltrane that disturbed some of his longtime followers. When Art Pepper died at the age of 56, he had attained his goal of becoming the world's great altoist. During his last years, Pepper seemed to put all of his life's experiences into his music and he played with startling emotional intensity. In the 1950s he was one of the few altoists along with Lee Konitz and Paul Desmond that was able to develop his own sound despite the dominant influence of Charlie Parker.
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